The O's on HFS and Gosha's great film
I listened to baseball last night thanks to the wonders of an MLB.com Gameday Audio subscription (audio of any game, home or away feeds available). I heard the Twins defeat the Orioles, 7-4, on the Orioles' Radio Network and 105.7 HFS (WHFS, the O's new FM flagship station).
There's something oddly comforting about listening to the baseball on the radio.
I guess because I have done it since I was a little kid.
The Giants were on the radio constantly during my youthful summers, especially when I visited my grandparents in Maxwell, Calif. My grandmother was a bigger Giants fan than I could ever hope to become, as impossible as that sounds.
After last night's ball game, I switched gears and watched Hideo Gosha's great 1965 film "Kedamono no Ken (Sword of the Beast)" on DVD.
Mikijiro Hira plays Gennosuke, a fugitive ronin samurai who stumbles upon a couple forced to pan for gold by their clan.
Gosha explores the nature of loyalty in the face of betrayal through plotting and frequent flashbacks.
Toshitada Tsuchiya's cinematography is memorable: He shoots many of the action scenes through weeds or past other visual obstructions. The result is a slightly disorienting, tense feel to the sword fights -- probably the feeling an observer would have at the scene.
I recommend both Gameday Audio for your listening pleasure and "Kedamono no Ken (Sword of the Beast)" for your viewing pleasure.
There's something oddly comforting about listening to the baseball on the radio.
I guess because I have done it since I was a little kid.
The Giants were on the radio constantly during my youthful summers, especially when I visited my grandparents in Maxwell, Calif. My grandmother was a bigger Giants fan than I could ever hope to become, as impossible as that sounds.
After last night's ball game, I switched gears and watched Hideo Gosha's great 1965 film "Kedamono no Ken (Sword of the Beast)" on DVD.
Mikijiro Hira plays Gennosuke, a fugitive ronin samurai who stumbles upon a couple forced to pan for gold by their clan.
Gosha explores the nature of loyalty in the face of betrayal through plotting and frequent flashbacks.
Toshitada Tsuchiya's cinematography is memorable: He shoots many of the action scenes through weeds or past other visual obstructions. The result is a slightly disorienting, tense feel to the sword fights -- probably the feeling an observer would have at the scene.
I recommend both Gameday Audio for your listening pleasure and "Kedamono no Ken (Sword of the Beast)" for your viewing pleasure.
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